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New Media
New Media
Untitled Work
The untitled work is now in the thrilling prototype phase, inspired by the amazing concept of a message in a bottle.
Antigone Reimagined
Court Theatre’s 2024 Production | Songs from the Poets In 2024, Court Theatre premiered a visionary new production of Sophocles’ Antigone, directed by Gabrielle Randle-Bent and sponsored by the Poetry Foundation. This groundbreaking reinterpretation recharged the ancient Greek tragedy with contemporary relevance and a dynamic choral form. Actors Danielle Davis and Cage Sebastian Pierre served as chorus poets, transforming Sophocles’ classical odes into a vibrant fusion of spoken word, body...
Project - Relational Bodies ; The Sugar Water.
Keywords : Sugar Cane, Labor Force, Video work, Iconography, The sugar cane labor force plays a significant role within the context of the unframing of sugar-water, as depicted in the video press. The imagery surrounding sugar cane often carries stereotypes and idealized representations that overshadow the true concerns and realities of its production. By bringing attention to these issues, the work aims to break free from the dominant narrative and challenge the existing perceptions of sugar...
Project Relational Bodies : The Story of Sugar
Keywords : Relational Aesthetics, Relational Bodies, New Media, Sugar Cane, Labor Force. Consumption of a product without a relationship with the hands of labor. The artwork's narrative speaks of sugar cane work laborers’ and commenced with questions that ask the story of how the view that informs perceptions of labor and the production of sugar today. From the Spanish Canary Islands to Brazil, Peru, Puerto Rico, Mexico, Martinique, New Guinea, and Guadalupe, countries with a long history of...
Project Relational Bodies
Keywords : Interactive Art Installation, Aesthetic Experience, Participatory role, Social Connectivity, Interactivity, Relational Aesthetics This project was created and influenced by the theories of relational aesthetics of Nicholas Bourriaud Relational Architecture Rafale Lozano-Hemmer One definition of "relational architecture" is "the technological actualization of buildings and public places with alien memory." By adding and removing audiovisual features, relational architecture disrupts...
Project Perlin Noise-Generative Connectivity
Keywords : Generative art, interactivity, participatory role, Perlin Noise This work was developed using Perlin noise code, which is a...
Project Hidden Violence - I am the other
Keywords : polarize, depolarized, technology, image-video, hidden. Required materials : This immersive sculpture includes the use of a...
Project Flawed Distinction
Keywords: Human-technological relations, robotics,VR, Participatory Role, Human/Machine Gesture. Collective: Hardware: Onix N.Vanga VR...
Project Is this still moving?
Keywords: Body, Duration, Transhumanism, Collaboration,AR This project was created as a group effort by the students in the Creativity...
Project Digital Archeology
Keywords: Digital archaeology, Body and territory, indigenous artifacts Technique: 3D modeling, Web design, Artistic Research Dimensions: 3D prints vary in size and are open-source to download and print Digital Archeologist Utilizes Tech To Showcase Artifacts in a new form. Today we find it very common the use of exoticizing and exploit indigenous culture and the experience of the indigenous diaspora this project looks through the lens of technology to bring to the light how we see objects...
Project Vagabundo
Keywords : homelessness, pentimento, body and territory. Techniques : pentimento , QR code/Artivive App , Video Installation Images Dimension : 25 cm x 25 cm Videos length : varies with each clip Artistic influences : Antony Hernández “landscape for the homeless and Arthur Jafa Love is the Message, the Message is Death Collective work by Porus Jain , Professor Karel Steiner , Allan Thomas and Onix N.Vanga Using six art pieces, “Vagabundo” depicts homelessness through the perspectives of...
Traditional Media
Traditona Media
Me llaman Sato
This series explores painting as an act of remembering. I revisit moments from my past, including experiences that shaped me and things I have lost, and translate them into visual memory. Each work becomes a quiet space for reflection, holding stories that shift and deepen in meaning over time. The title Me llamaron sato relates to the figure of the perro sato, not as a literal reference but as a metaphorical presence. The term suggests ideas of labeling, otherness, and iden
Dibujo
2016-2021
Xylography
2015-2020
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